Tips for Better Portrait Photography with Natural Light

Tips for Better Portrait Photography with Natural Light

How to work with natural light in portrait photography

As photographers, we depend on the light. Without light no picture. The light is decisive for our composition and the mood of our image. Natural light is that which comes from the Sun, either directly or indirectly such as when it is cloudy or if sunlight is reflected from an area on our subject.

Sometimes, if we're lucky, we'll come out somewhere where the natural light is just perfect for the picture we'd like to make. But you have probably also often faced a situation where it has been difficult to lay light because:

There is too much light or too little light. The light is coming from the wrong direction. The light is soft and “dull” and does not give any shape to the face of our model. The sunlight is high and casts ugly shadows down the face of the person we are going to make a portrait of.

Getting the right lighting on an outdoor portrait is not that easy at all. But if you want a little help to get better results, here we have collected some of our best tips and tricks for you.

Work with the light—not against

When we hold workshops and photography courses in the light at Theilgaard Academy there is one overarching mistake we see many photographers make all the time. They are frustrated with the light and do not have the technique to change the conditions but still try to work against the light there is, or think “I can change that in Photoshop”. It's never going to be good.

Either you use the light as it is where you are, and go for an expression that comes naturally.

Or you spend time changing the nature and direction of the light with up mirrors, flags, and diffusion filters and you make sure to use buildings and structures to create delineation and direction on the light.

The latter requires a little bit of equipment and a lot of knowledge. The first requires determination. Think of a photographer like Ole Christiansen and how he dry-uses direct, bright sunlight to create striking, graphic images.

Our top tips and tricks

How to Shape the Daylight for the Perfect Light Laying

But fortunately, you have plenty of options to shape the daylight to better suit the image you are trying to create. So here's what you can do if:

The light is flat and “dull”

Move your portrait model into a gate or into behind a door opening and position him or her so that the light falls from the side while you yourself photograph from the front. By advancing the model further into the dark, you can regulate the contrast between light and shadow side.

The light is too harsh

Move the model in shadow or create shadow with a flag and use a reflector to shed light back on your model. You can also put a piece of Lee diffusion filter between the sun and your model.

The sun is too high

Shoot in the backlight. Optionally, use a reflector screen to cast formative light back onto the model. You can combine it with a flag over the head of your model. And, of course, remember to photograph in the outer hours if you can, that is, when the sun is low. It always gives the grandma opportunities to make many different types of images.

Other tips for portrait photography with natural light

Use Sunseeker or another app to predict the course and location of the sun. If you combine it with Google Maps and the weather forecast, you can sit at home and quietly plan your photography and avoid any unfortunate surprises when shooting and photographing at your location.

Flash daylight with speedlights or flash heads
If you want complete control over the light, even outdoors and in all situations, bring a flash. If you are using a Speedlight, make sure it can be mounted on a tripod. Otherwise, a battery-powered monohead flash, such as from Godox or Profoto, is the optimal choice if you often shoot portraits outdoors.

From our workshop “The Magic of Light” where you can learn all about
lighting of portraits with both natural light and studio flash:

I tvivl
Hvis du er i tvivl om hvilken fotouddannelse eller kursus som er relevant for dig, er du altid velkommen til at kontakte Helga eller Michael på tlf. eller mail.

Afklarende samtale

Du kan også booke en afklarende samtale her hvis du overvejer et længere forløb. Det er gratis og uforpligtende og du får mulighed for at få et par af Danmarks skarpeste øjne på dine fotografier og din fotografiske praksis, uanset dit niveau.

Tilmeld dig afklarende samtale her >

Husk også at tilmeld dig vores nyhedsbrev, hvis du ikke allerede er.

Det udkommer et par gange om måneden og er fyldt med relevante artikler, tips og tricks og særlige tilbud på vores kurser og uddannelser i fotografi.

Theilgaard Academy tilbyder fotokurser på alle niveauer, både for  amatørfotografer, professionele eller dig som arbejder med kommunikation, content creation og SoMe og gerne vil have nye kompetencer indenfor portrætfotografi og fotografi i almindelighed.

Hvis du vil undervises af 2 af Danmarks bedste fotografer, så tag med på en af vores populære foto workshops på og omkring vores skønnefotoskole midt i København.

For those who want to learn more, we currently have the following photography courses for photographers who want to learn how to work with both daylight and flash:
Det siger deltagere fra tidligere workshops
Elite level...
It's at an elite level. It hasn't been below what I've experienced at the Academy of Fine Arts - it has been extremely satisfying, because I had some goals when I started, but I have not dared to believe that it could be done like that, all the way through.
Carsten Krogstrup
Carsten Krogstrup
Visual artist, participant Master in Portrait Photograpy
A revitalization of my work as a photographer.
If I hadn’t taken this course, I would still be locked into many of my ideas about my work as a photographer. I think I would be frustrated by many things in my photography and wouldn’t know how to move forward. It takes sparring, teaching, and setting aside time for it—and this programme has helped on every single point.
Peter-Emil Witt
Peter-Emil Witt
Photojournalist, participant One Year Personal Project
I'm not afraid to fuck up anymore...
I feel much safer as a photographer. I feel like I'm a photographer. I'm not afraid to fuck up like I have been in the past. I really feel like I can rest easy being a photographer!
Thorleif Ravnbak
Thorleif Ravnbak
Journalist and photographer
This is exactly what I want in my life.
The last four weeks have been a huge eye-opener for me. I’ve been seriously challenged and become much more curious about portrait photography and what it can really do. You’ve given me so much I can keep working with—and keep challenging myself with. Without a doubt, I’ve been confirmed that this is exactly what I want in my life!
Viktoria R. Larsen
Viktoria R. Larsen
Photographer
A unique and deeply inspiring course.
I was honestly blown away by Michael—an outstanding instructor who shares generously from his enormous knowledge, makes it highly pedagogical, and does it at an impressive pace.
Svend Thomsen
Svend Thomsen
Photographer
It raised my photographic work by a level or two.
I can only recommend this workshop as warmly as possible - it raised my photographic work by a level or two and increased the joy of working with portraiture of people. Thank you for some exciting days.
Inger Ulrich
Inger Ulrich
Photographer
Wildly educational!
It has been extremely outside my comfort zone—and therefore insanely educational. Definitely methods I’ll take with me in my development. A highly recommended programme. Huge praise.
Sille Breiner
Sille Breiner
Photographer
It will forever change the way I edit images.
A key reason I chose this course was Michael’s background as a photographer and therefore his photographer-driven approach to Photoshop and image editing. The course covered a broad range and will change the way I edit images from now on.
Mogens Hansen
Mogens Hansen
Photographer
I can now portray anyone!
Helga as an instructor is incredibly dynamic and welcoming, but also with a sharp edge. You don’t get to rest on your laurels—you’re pushed out of your comfort zone. I’ve gained many new tools for photographing, and now I feel I can portray anyone.
Simon Skipper
Simon Skipper
Photojournalist
My images became stronger because I dare to show who I am.
My journalistic work improves when I dare to be personal. You can’t just take—you also have to give something of yourself. And I didn’t dare to do that before I came here, because I kept thinking, “Well, I have to be professional.” So my images became stronger because I dare to show who I am.
Mio Voison
Mio Voison
Fotojournalist, participant One Year Personal Project
Intense, skilled, and inspiring.
You are intense, highly skilled, and inspiring as instructors - and I’ve truly had my eyes opened to all the details. Thank you for an amazing workshop.
Lars Sandager Ramlow
Lars Sandager Ramlow
Journalist and editor at Frederiksborg Amts Newspaper
I’ve gone from 1 to 1000.
I think I went from 1 to 100 the first time I took a workshop with Helga. Now, with this Master in Portrait Photography, I’m probably closer to 1000. The teaching is exciting and incredibly educational across the board, the assignments are great, and the critique afterwards is genuinely useful. I can only recommend joining if you want to develop further, push your boundaries, and go deep.
Ingrid Riis
Ingrid Riis
Photographer
It’s crazy what your methods can do!
I’ve experimented with Personal Direction and I’ve never had this much control of my photography before, and I’ve achieved such a wide variation of expressions—it’s crazy what your methods can do!
Diana Holm
Diana Holm
Pressphotographer
There is no one better!
If the personal portrait is the discipline you want to master, choose Helga Theilgaard as your instructor. She gives of herself, and when the programme ends you realise how far you’ve moved because you took part. As a portrait photographer, Helga has style, is experienced, and willing to take risks. There is no one better!
Anette Ejsing
Anette Ejsing
Photographer
Challenged creatively and emotionally.
It has been an incredibly educational programme where I’ve been challenged both creatively and emotionally in how I experience, create, and think about photography. If you love and burn for photography, love being challenged, love creating images with story and meaning, and want teaching at a high and serious level, you should sign up for a workshop.
Linea Hansen Høiby
Linea Hansen Høiby
Photographer
From zero to hero in Photoshop!
I’ve learned an insane amount of Photoshop. Michael gave me a way to structure my files - before I was doing it a bit randomly and messing around. Now everything is completely under control. It’s been absolutely fantastic.
Elsebeth Spangsberg
Elsebeth Spangsberg
Fotograf
The programme is SO good!
My model responded really well to the Personal Direction, and I could clearly see changes and expressions in the face. This programme is SO good and incredibly educational.
Line Kongsted Jensen
Line Kongsted Jensen
Photographer
There’s nothing like it!
The programme has been exciting, provocative, and boundary-pushing—and not least very, very educational. It’s a year of intensive teaching by two incredibly skilled instructors who push, move, and transform you as a photographer. If you need to develop yourself photographically, there is nothing like it.
Jiri Thomas
Jiri Thomas
Photographer
In 4 weeks I’ve moved my photography further than in 30 years!
If you want to do something serious with your portrait photography, you can’t get around Helga Theilgaard! In the 4-week online Personal Direction programme, I’ve moved my photography further than in the previous 30 years. With a loving but firm hand in a velvet glove, I’ve been challenged, set back, and then encouraged and praised for how far I’ve moved my photography.
Carsten Høi
Carsten Høi
Photographer
Huge value for my business!
It’s been exciting for me to start the programme and be on a class with a creative focus. In my everyday life as a freelancer, I’m often very alone, and it has been good to be part of a creative, gathering environment over a longer period with competent teaching. I feel better equipped for my everyday life as a freelance photographer—and it has huge value for my business.
Cæciliie Philipa Vibe Pedersen
Cæciliie Philipa Vibe Pedersen
Photojournalist

THEILGAARD ACADEMY

About Helga Theilgaard

I’m a visual artist and photographer, and over the past 20 years I’ve created a number of significant nationwide exhibitions and book publications — most recently the exhibitions I’m Here Now and The Rootless – We Who Remain.

I also work with communicating and teaching art and photography through workshops and talks, and I’ve helped hundreds of professional, independent and emerging photographers define their photographic language and make their images truly stand out.

I trained under Rigmor Mydtskov, Photographer to Her Majesty the Queen of Denmark, as well as at Fatamorgana – The Danish School of Art Photography, and the European Film College.

If you have any questions, you’re welcome to contact me at

helga@theilgaardacademy.com

or by phone on +45 26 84 40 43.

About Michael Elmkjær Madsen

I’m a photographer and image retoucher, and an Adobe Certified Expert in Photoshop. I trained as a photojournalist and have worked as a photographer for more than 20 years for magazines, publishers and companies.

Alongside this, I have specialised in post-production and portrait retouching, as well as finishing fine art prints for museums and exhibitions. I also work on my own artistic projects.

Over the years, I’ve taught at institutions including Fatamorgana – The Danish School of Art Photography, and the Photography Programme under KTS/Next.

If you have any questions, you’re welcome to contact me at michael@theilgaardacademy.com or by phone on +45 31 79 94 79.