Learn the Best Tips & Tricks for Portrait and Model Photography — Part 1

Learn the Best Tips & Tricks for Portrait and Model Photography — Part 1

Get professional portrait photography guidance — for beginners and experienced photographers

Are you passionate about portrait photography and model photography?
Are you a photographer and love to capture portraits of people? Whether you are a beginner or experienced, portrait photography is a discipline that requires both technical knowledge and creative flair. At Theilgaard Academy, we have been working for almost 30 years to create professional visual stories about people through reportage photography, portraits and personal photo projects.

Portrait photography for all levels
We started teaching photography many years ago, and we have since set up Theilgaard Academy, where we offer courses and workshops for both beginners and experienced photographers. Our goal is to share the extensive knowledge and experience we have built up to help you become a more skilled portrait photographer.

Training and practice make master
Becoming a skilled portrait photographer requires both practical experience and theoretical knowledge, and that's something you can't just learn by watching videos on YouTube. It takes dedication, practice and the right guidance. At Theilgaard Academy we offer courses and continuing education for photographers of all levels, so you can get the inspiration and tools you need to take your portrait photos to the next level.

Become a better photographer with professional training
Whether you are a happy amateur or a professional photographer, it's always good to get new tips and tricks from the pros. In our courses and workshops you will learn not only the technical aspects of portrait photography, but also how to develop your own style and find your personal approach to photography.

14 tips for portrait photography

Tip # 1:

Preparation and Expectation Reconciliation

Successful portrait photography starts with thorough preparation. One of the most common mistakes that many make is not making clear and precise agreements with their model. To ensure a good photo session, you need to properly prepare and master the following:

Agree on the use of the images: It is important to reconcile this in advance to ensure that both you and the model are on the same page.

Timeframe: When will the photo shoot take place and how long will it last?

What to bring?: Make sure your model knows what to bring, such as clothes, shoes and any props.

confirmatory: Make clear appointments and get confirmation by mail. Remember to check both the day before and on the day itself that the model is ready and no changes have occurred.

It's a good idea to have a checklist and a detailed plan that can help you keep track of everything. Even if you have experience as a photographer, it is still important to pay attention to the details.

Tip # 2:

Use your time right

Photography isn't just about taking pictures -- it's about using your time efficiently. Whether you have 15 minutes or 2 hours for a photo session, it is important to optimize your time with the model. Here are a few tips:

Plan and prepare in advance: Prepare everything you can before the model arrives. This can include choosing a location, preparing equipment, and even using apps like Google Maps to determine the position of the sun.

Use your time with the model effectively: Once you're at it, it's important to spend time with the model right. Give yourself time to think, communicate and make the model relax. Often it can be better to spend time building a good relationship and creating the right mood than just shooting pictures quickly.

Shoot slowly, but be precise: It is often better to take the time and shoot fewer pictures, but with higher quality, than to rush through a session. Remember to have ice in your stomach and be patient — it can make a big difference in the final result.

Tip # 3

Avoid showing photos on the go — Why you should never show raw files during a photo shoot

As a portrait photographer, it is important to avoid showing images during the process. Many models don't have the ability to realistically assess raw files on the back of your camera, and this can interfere with both your workflow and your creative flow. In short, nothing good will ever come of showing unprocessed images during the photo shoot. Stay focused on capturing the right image rather than letting yourself be diverted by imperfect shots. It is best to wait until after the session, when you have the opportunity to edit and present the finished result.

Tip # 4

Choose the right focal length

The choice of focal length for your portrait photography is all about perspective and not just distance. For portraits, it is often best to use a short telephoto lens, as the compressed perspective gives a natural and flattering expression. Longer focal lengths can draw the background closer to the model, which can create a disruptive effect even when the background is blurred. Pay attention to choosing the right focal length that complements both your model and the desired look.

Tip # 5

Take pictures with your eyes, not just with your camera

An important skill you need to master as a portrait photographer is to trust your own eyes rather than the camera. For many photographers, it can be tempting to “chimp” -- or constantly glance at the images on the camera's screen -- but this can be a hindrance to getting the best shots. You should be able to assess how your model looks, how the light falls, and how the model is positioned, using your eyes rather than relying on the camera's display.

When using flash, align the light with the pilot light and assess the result with your eyes. If you cannot assess how the picture will be with your own senses, the camera will not be able to help you. Using your eyes allows you to focus on the creative aspect of photography, which helps you become a better photographer.

Tip # 6

Take care of your shot height

Shot height is one of the most important factors that define the expression in your portraits. Your shot height relative to the model's eye level has a direct impact on how the model appears in the photo. To achieve a neutral expression, the axis of the camera must be at eye level with the model. Shooting from the bottom up may make the model appear lofty or arrogant, while a top-down shot may make the model appear inferior or weaker.

It is important to think about the three basic positions of shot height, which must always be considered in relation to the desired expression. Always bring a stool or box to adjust the shot height as needed. Also, be careful to avoid shooting up too much under the model's chin, as this can distort the expression.

Tip # 7

Take care of the background

One of the biggest mistakes you can make as a portrait photographer is to ignore the background. Bad backgrounds can quickly ruin an otherwise great picture. Whether you're shooting in studio, on location or doing reportage, it's essential to take the time to choose the right background. In portraits in environments, we often spend more time finding the perfect background than the photography itself.

When choosing a background, you need to consider whether it should be an integral part of the image or an unobtrusive part that does not steal attention. The background can either actively complement your subject, or it can remain in the background without attracting attention. Small hints of time, place and mood may be enough.

Pay special attention to elements such as window sills, lines behind the head of the model and bright areas that can attract too much attention. If you want to minimize background distraction, you can opt for a medium wide-angle lens, such as a 28mm or 35mm, that “pushes” the background back and makes it less noticeable. Alternatively, a short telephoto lens can be used to isolate the subject and blur the background. You can also work with light and shadow to create focus around your model and minimize background attention.

Read Part 2 here >

(Video from the workshop)

I tvivl
Hvis du er i tvivl om hvilken fotouddannelse eller kursus som er relevant for dig, er du altid velkommen til at kontakte Helga eller Michael på tlf. eller mail.

Afklarende samtale

Du kan også booke en afklarende samtale her hvis du overvejer et længere forløb. Det er gratis og uforpligtende og du får mulighed for at få et par af Danmarks skarpeste øjne på dine fotografier og din fotografiske praksis, uanset dit niveau.

Tilmeld dig afklarende samtale her >

Husk også at tilmeld dig vores nyhedsbrev, hvis du ikke allerede er.

Det udkommer et par gange om måneden og er fyldt med relevante artikler, tips og tricks og særlige tilbud på vores kurser og uddannelser i fotografi.

Theilgaard Academy tilbyder fotokurser på alle niveauer, både for  amatørfotografer, professionele eller dig som arbejder med kommunikation, content creation og SoMe og gerne vil have nye kompetencer indenfor portrætfotografi og fotografi i almindelighed.

Hvis du vil undervises af 2 af Danmarks bedste fotografer, så tag med på en af vores populære foto workshops på og omkring vores skønnefotoskole midt i København.

For those who want to learn more, we currently have the following photography courses:
Det siger deltagere fra tidligere workshops
Elite level...
It's at an elite level. It hasn't been below what I've experienced at the Academy of Fine Arts - it has been extremely satisfying, because I had some goals when I started, but I have not dared to believe that it could be done like that, all the way through.
Carsten Krogstrup
Carsten Krogstrup
Visual artist, participant Master in Portrait Photograpy
A revitalization of my work as a photographer.
If I hadn’t taken this course, I would still be locked into many of my ideas about my work as a photographer. I think I would be frustrated by many things in my photography and wouldn’t know how to move forward. It takes sparring, teaching, and setting aside time for it—and this programme has helped on every single point.
Peter-Emil Witt
Peter-Emil Witt
Photojournalist, participant One Year Personal Project
I'm not afraid to fuck up anymore...
I feel much safer as a photographer. I feel like I'm a photographer. I'm not afraid to fuck up like I have been in the past. I really feel like I can rest easy being a photographer!
Thorleif Ravnbak
Thorleif Ravnbak
Journalist and photographer
This is exactly what I want in my life.
The last four weeks have been a huge eye-opener for me. I’ve been seriously challenged and become much more curious about portrait photography and what it can really do. You’ve given me so much I can keep working with—and keep challenging myself with. Without a doubt, I’ve been confirmed that this is exactly what I want in my life!
Viktoria R. Larsen
Viktoria R. Larsen
Photographer
A unique and deeply inspiring course.
I was honestly blown away by Michael—an outstanding instructor who shares generously from his enormous knowledge, makes it highly pedagogical, and does it at an impressive pace.
Svend Thomsen
Svend Thomsen
Photographer
It raised my photographic work by a level or two.
I can only recommend this workshop as warmly as possible - it raised my photographic work by a level or two and increased the joy of working with portraiture of people. Thank you for some exciting days.
Inger Ulrich
Inger Ulrich
Photographer
Wildly educational!
It has been extremely outside my comfort zone—and therefore insanely educational. Definitely methods I’ll take with me in my development. A highly recommended programme. Huge praise.
Sille Breiner
Sille Breiner
Photographer
It will forever change the way I edit images.
A key reason I chose this course was Michael’s background as a photographer and therefore his photographer-driven approach to Photoshop and image editing. The course covered a broad range and will change the way I edit images from now on.
Mogens Hansen
Mogens Hansen
Photographer
I can now portray anyone!
Helga as an instructor is incredibly dynamic and welcoming, but also with a sharp edge. You don’t get to rest on your laurels—you’re pushed out of your comfort zone. I’ve gained many new tools for photographing, and now I feel I can portray anyone.
Simon Skipper
Simon Skipper
Photojournalist
My images became stronger because I dare to show who I am.
My journalistic work improves when I dare to be personal. You can’t just take—you also have to give something of yourself. And I didn’t dare to do that before I came here, because I kept thinking, “Well, I have to be professional.” So my images became stronger because I dare to show who I am.
Mio Voison
Mio Voison
Fotojournalist, participant One Year Personal Project
Intense, skilled, and inspiring.
You are intense, highly skilled, and inspiring as instructors - and I’ve truly had my eyes opened to all the details. Thank you for an amazing workshop.
Lars Sandager Ramlow
Lars Sandager Ramlow
Journalist and editor at Frederiksborg Amts Newspaper
I’ve gone from 1 to 1000.
I think I went from 1 to 100 the first time I took a workshop with Helga. Now, with this Master in Portrait Photography, I’m probably closer to 1000. The teaching is exciting and incredibly educational across the board, the assignments are great, and the critique afterwards is genuinely useful. I can only recommend joining if you want to develop further, push your boundaries, and go deep.
Ingrid Riis
Ingrid Riis
Photographer
It’s crazy what your methods can do!
I’ve experimented with Personal Direction and I’ve never had this much control of my photography before, and I’ve achieved such a wide variation of expressions—it’s crazy what your methods can do!
Diana Holm
Diana Holm
Pressphotographer
There is no one better!
If the personal portrait is the discipline you want to master, choose Helga Theilgaard as your instructor. She gives of herself, and when the programme ends you realise how far you’ve moved because you took part. As a portrait photographer, Helga has style, is experienced, and willing to take risks. There is no one better!
Anette Ejsing
Anette Ejsing
Photographer
Challenged creatively and emotionally.
It has been an incredibly educational programme where I’ve been challenged both creatively and emotionally in how I experience, create, and think about photography. If you love and burn for photography, love being challenged, love creating images with story and meaning, and want teaching at a high and serious level, you should sign up for a workshop.
Linea Hansen Høiby
Linea Hansen Høiby
Photographer
From zero to hero in Photoshop!
I’ve learned an insane amount of Photoshop. Michael gave me a way to structure my files - before I was doing it a bit randomly and messing around. Now everything is completely under control. It’s been absolutely fantastic.
Elsebeth Spangsberg
Elsebeth Spangsberg
Fotograf
The programme is SO good!
My model responded really well to the Personal Direction, and I could clearly see changes and expressions in the face. This programme is SO good and incredibly educational.
Line Kongsted Jensen
Line Kongsted Jensen
Photographer
There’s nothing like it!
The programme has been exciting, provocative, and boundary-pushing—and not least very, very educational. It’s a year of intensive teaching by two incredibly skilled instructors who push, move, and transform you as a photographer. If you need to develop yourself photographically, there is nothing like it.
Jiri Thomas
Jiri Thomas
Photographer
In 4 weeks I’ve moved my photography further than in 30 years!
If you want to do something serious with your portrait photography, you can’t get around Helga Theilgaard! In the 4-week online Personal Direction programme, I’ve moved my photography further than in the previous 30 years. With a loving but firm hand in a velvet glove, I’ve been challenged, set back, and then encouraged and praised for how far I’ve moved my photography.
Carsten Høi
Carsten Høi
Photographer
Huge value for my business!
It’s been exciting for me to start the programme and be on a class with a creative focus. In my everyday life as a freelancer, I’m often very alone, and it has been good to be part of a creative, gathering environment over a longer period with competent teaching. I feel better equipped for my everyday life as a freelance photographer—and it has huge value for my business.
Cæciliie Philipa Vibe Pedersen
Cæciliie Philipa Vibe Pedersen
Photojournalist

THEILGAARD ACADEMY

About Helga Theilgaard

I’m a visual artist and photographer, and over the past 20 years I’ve created a number of significant nationwide exhibitions and book publications — most recently the exhibitions I’m Here Now and The Rootless – We Who Remain.

I also work with communicating and teaching art and photography through workshops and talks, and I’ve helped hundreds of professional, independent and emerging photographers define their photographic language and make their images truly stand out.

I trained under Rigmor Mydtskov, Photographer to Her Majesty the Queen of Denmark, as well as at Fatamorgana – The Danish School of Art Photography, and the European Film College.

If you have any questions, you’re welcome to contact me at

helga@theilgaardacademy.com

or by phone on +45 26 84 40 43.

About Michael Elmkjær Madsen

I’m a photographer and image retoucher, and an Adobe Certified Expert in Photoshop. I trained as a photojournalist and have worked as a photographer for more than 20 years for magazines, publishers and companies.

Alongside this, I have specialised in post-production and portrait retouching, as well as finishing fine art prints for museums and exhibitions. I also work on my own artistic projects.

Over the years, I’ve taught at institutions including Fatamorgana – The Danish School of Art Photography, and the Photography Programme under KTS/Next.

If you have any questions, you’re welcome to contact me at michael@theilgaardacademy.com or by phone on +45 31 79 94 79.