Learn to Overcome Nervousness in Portrait Photography — Part 1

Learn to Overcome Nervousness in Portrait Photography — Part 1

Are you nervous when you have to do portraits or just photograph people? We know all about nervousness and uncertainty, both from our own experience as professional photographers and having taught hundreds of photographers, journalists and communicators.

Nervousness and uncertainty are natural and good, because it tells you that something is at stake, that it matters and it makes us do our best. But the nervousness must not take over either you or your model.

With our long experience in creating personal portraits, we have learned to harness nervousness and rein it in, creating peace, security and tranquility — both for the photographer and the model.

Because as you've probably experienced, most people aren't used to being in front of a camera. It may feel awkward and unnatural and your model may be uncomfortable with how she or he will now appear in the finished photos.

So here are a few of our best tips on how to approach your photography with more confidence and at the same time create confidence in your portrait model.

For 2 nervous people is not a good start to a successful photo shoot.

General tips and tricks for portrait photographing

Tip 1: Prepare thoroughly before shooting — also mentally

Good preparation is the key to successful portrait photography. Make sure all equipment is ready before your model arrives:

Check camera, batteries, memory card or film ---- everything must be tested and prepared.
Give yourself five minutes before the photo shoot ---- sit in the room, relax and visualize the progress.
Imagine the perfect session ---- imagine that you create amazing images and that the model goes happy from there.

Tip 2: Always keep your cheatsheet in your back pocket

Even simple photo shoots require structure. Write down your most important notes on paper or in a notebook:

Points to remember ---- What should you remember along the way? These can be important techniques or ideas for the session.
Timetable ---- A brief outline of how to allocate the time you have available.
Posing and lighting setup ---- what you want to try out.

It may never come into use, but it gives tremendous peace of mind to know that you have a plan if you get stuck.

Tip 3: Don't be late

It seems obvious, but as a photographer you can't allow yourself to be late. Make sure that:

Meet in good time ---- Always arrive a little earlier so you have time to get ready.
Check equipment and lights - before the shooting starts.
Create a calm start for the model ---- everyone gets insecure and nervous if it all happens at the last minute.

If you have a hard time keeping up with times, that's something you need to actively work on.

Tip 4: Expectation tuning

One of the major pitfalls that create unnecessary frustrations and bad experiences is the lack of expectation matching Both in relation to yourself and the person being photographed. Be sure to reconcile all aspects of photography

Time consumption ---- be honest about how long the session takes. It's no use that you say it only takes a quarter of an hour when you know it takes an hour.
Clothing, makeup and styling ---- give precise guidelines.
Purpose of the images ---- Remember to talk about need, not product. Talk to the model or customer about what the image will be used for. It's your job to translate it into the right kind of images.
Finances and delivery ---- Make sure you have precise delivery agreements that all parties agree to in writing.

Tip 5: You need to be empathetic and open — but also professional

Security is created in two ways:

1. By being professional and showing that you have mastered the technique.
2. By being empathetic, listening and appreciative.

Many photographers fall into one of two traps: Either they become too controlling and hide behind the camera, or they listen so much that they lose leadership. You need to be able to balance both roles — be both accommodating and the professional who sets the stage and creates results. Only in this way will you create true security and confidence so that your model will follow you.

Tip 6: Keep track of time

Mastering time management is essential for a successful photo shoot. For example, if you have 45 minutes, estimate in advance how much time you will spend on the different stages and make a schedule.

Think about the things that can happen during the photo shoot. You guys need to talk, there needs to be time to get in and out the door and finish photography. There may also be unforeseen things, such as a toilet visit or having to change the light setting along the way. Getting used to thinking about how time is spent is one of the most important ways to get better photos. Time optimism and time blindness are one of the most dangerous pitfalls for both experienced and inexperienced photographers and at the same time an easy thing to get to grips with.

By structuring your time, you create a relaxed atmosphere and avoid stressful, hasty decisions.

Tip 7: The psychogeography

The spaces we are in affect our emotions enormously. The space, the light, the temperature — everything around us can make us feel comfortable for fashion, safe and relaxed. Or stressed, insecure and nervous. And everything in between. Therefore, it is extremely important that you think about the mood you set, whether you are receiving people in your own portrait studio or doing work on location.

With simple grips and small means, you can tweak the mood with lights, furniture, carpets. Use music. Make sure there is fresh good coffee and cold water ready and think about how you and your model and any others present will move around and use the space. For example, make sure that there is room for personal belongings and a place to put your clothes, and that the place where you sit and talk is somewhere different from where the photo shoot is supposed to take place.

Read Part 2 here >

In doubt?
If you have any doubts about which photography education or course is relevant for you, you are always welcome to contact Helga or Michael by phone or email.

Clarifying conversation

You can also book a clarifying conversation here if you are considering a longer course. It is free and non-binding and you get the opportunity to get a pair of Denmark's sharpest eyes on your photographs and your photographic practice, regardless of your level.

Sign up for clarifying conversation here >

Theilgaard Academy offers photography courses at all levels, both for amateur photographers, professionals or those who work with communication, content creation and SoMe and would like to have new skills in portrait photography and photography in general.

If you want to be taught by two of Denmark's best photographers, take part in one of our popular photo workshops at and around our beautiful photography school in the middle of Copenhagen.

For those who want to learn more, we currently have the following photography courses:
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Elite level...
It's at an elite level. It hasn't been below what I've experienced at the Academy of Fine Arts - it has been extremely satisfying, because I had some goals when I started, but I have not dared to believe that it could be done like that, all the way through.
Carsten Krogstrup
Carsten Krogstrup
Visual artist, participant Master in Portrait Photograpy
A revitalization of my work as a photographer.
If I hadn’t taken this course, I would still be locked into many of my ideas about my work as a photographer. I think I would be frustrated by many things in my photography and wouldn’t know how to move forward. It takes sparring, teaching, and setting aside time for it—and this programme has helped on every single point.
Peter-Emil Witt
Peter-Emil Witt
Photojournalist, participant One Year Personal Project
I'm not afraid to fuck up anymore...
I feel much safer as a photographer. I feel like I'm a photographer. I'm not afraid to fuck up like I have been in the past. I really feel like I can rest easy being a photographer!
Thorleif Ravnbak
Thorleif Ravnbak
Journalist and photographer
This is exactly what I want in my life.
The last four weeks have been a huge eye-opener for me. I’ve been seriously challenged and become much more curious about portrait photography and what it can really do. You’ve given me so much I can keep working with—and keep challenging myself with. Without a doubt, I’ve been confirmed that this is exactly what I want in my life!
Viktoria R. Larsen
Viktoria R. Larsen
Photographer
A unique and deeply inspiring course.
I was honestly blown away by Michael—an outstanding instructor who shares generously from his enormous knowledge, makes it highly pedagogical, and does it at an impressive pace.
Svend Thomsen
Svend Thomsen
Photographer
It raised my photographic work by a level or two.
I can only recommend this workshop as warmly as possible - it raised my photographic work by a level or two and increased the joy of working with portraiture of people. Thank you for some exciting days.
Inger Ulrich
Inger Ulrich
Photographer
Wildly educational!
It has been extremely outside my comfort zone—and therefore insanely educational. Definitely methods I’ll take with me in my development. A highly recommended programme. Huge praise.
Sille Breiner
Sille Breiner
Photographer
It will forever change the way I edit images.
A key reason I chose this course was Michael’s background as a photographer and therefore his photographer-driven approach to Photoshop and image editing. The course covered a broad range and will change the way I edit images from now on.
Mogens Hansen
Mogens Hansen
Photographer
I can now portray anyone!
Helga as an instructor is incredibly dynamic and welcoming, but also with a sharp edge. You don’t get to rest on your laurels—you’re pushed out of your comfort zone. I’ve gained many new tools for photographing, and now I feel I can portray anyone.
Simon Skipper
Simon Skipper
Photojournalist
My images became stronger because I dare to show who I am.
My journalistic work improves when I dare to be personal. You can’t just take—you also have to give something of yourself. And I didn’t dare to do that before I came here, because I kept thinking, “Well, I have to be professional.” So my images became stronger because I dare to show who I am.
Mio Voison
Mio Voison
Fotojournalist, participant One Year Personal Project
Intense, skilled, and inspiring.
You are intense, highly skilled, and inspiring as instructors - and I’ve truly had my eyes opened to all the details. Thank you for an amazing workshop.
Lars Sandager Ramlow
Lars Sandager Ramlow
Journalist and editor at Frederiksborg Amts Newspaper
I’ve gone from 1 to 1000.
I think I went from 1 to 100 the first time I took a workshop with Helga. Now, with this Master in Portrait Photography, I’m probably closer to 1000. The teaching is exciting and incredibly educational across the board, the assignments are great, and the critique afterwards is genuinely useful. I can only recommend joining if you want to develop further, push your boundaries, and go deep.
Ingrid Riis
Ingrid Riis
Photographer
It’s crazy what your methods can do!
I’ve experimented with Personal Direction and I’ve never had this much control of my photography before, and I’ve achieved such a wide variation of expressions—it’s crazy what your methods can do!
Diana Holm
Diana Holm
Pressphotographer
There is no one better!
If the personal portrait is the discipline you want to master, choose Helga Theilgaard as your instructor. She gives of herself, and when the programme ends you realise how far you’ve moved because you took part. As a portrait photographer, Helga has style, is experienced, and willing to take risks. There is no one better!
Anette Ejsing
Anette Ejsing
Photographer
Challenged creatively and emotionally.
It has been an incredibly educational programme where I’ve been challenged both creatively and emotionally in how I experience, create, and think about photography. If you love and burn for photography, love being challenged, love creating images with story and meaning, and want teaching at a high and serious level, you should sign up for a workshop.
Linea Hansen Høiby
Linea Hansen Høiby
Photographer
From zero to hero in Photoshop!
I’ve learned an insane amount of Photoshop. Michael gave me a way to structure my files - before I was doing it a bit randomly and messing around. Now everything is completely under control. It’s been absolutely fantastic.
Elsebeth Spangsberg
Elsebeth Spangsberg
Fotograf
The programme is SO good!
My model responded really well to the Personal Direction, and I could clearly see changes and expressions in the face. This programme is SO good and incredibly educational.
Line Kongsted Jensen
Line Kongsted Jensen
Photographer
There’s nothing like it!
The programme has been exciting, provocative, and boundary-pushing—and not least very, very educational. It’s a year of intensive teaching by two incredibly skilled instructors who push, move, and transform you as a photographer. If you need to develop yourself photographically, there is nothing like it.
Jiri Thomas
Jiri Thomas
Photographer
In 4 weeks I’ve moved my photography further than in 30 years!
If you want to do something serious with your portrait photography, you can’t get around Helga Theilgaard! In the 4-week online Personal Direction programme, I’ve moved my photography further than in the previous 30 years. With a loving but firm hand in a velvet glove, I’ve been challenged, set back, and then encouraged and praised for how far I’ve moved my photography.
Carsten Høi
Carsten Høi
Photographer
Huge value for my business!
It’s been exciting for me to start the programme and be on a class with a creative focus. In my everyday life as a freelancer, I’m often very alone, and it has been good to be part of a creative, gathering environment over a longer period with competent teaching. I feel better equipped for my everyday life as a freelance photographer—and it has huge value for my business.
Cæciliie Philipa Vibe Pedersen
Cæciliie Philipa Vibe Pedersen
Photojournalist

THEILGAARD ACADEMY

About Helga Theilgaard

I’m a visual artist and photographer, and over the past 20 years I’ve created a number of significant nationwide exhibitions and book publications — most recently the exhibitions I’m Here Now and The Rootless – We Who Remain.

I also work with communicating and teaching art and photography through workshops and talks, and I’ve helped hundreds of professional, independent and emerging photographers define their photographic language and make their images truly stand out.

I trained under Rigmor Mydtskov, Photographer to Her Majesty the Queen of Denmark, as well as at Fatamorgana – The Danish School of Art Photography, and the European Film College.

If you have any questions, you’re welcome to contact me at

helga@theilgaardacademy.com

or by phone on +45 26 84 40 43.

About Michael Elmkjær Madsen

I’m a photographer and image retoucher, and an Adobe Certified Expert in Photoshop. I trained as a photojournalist and have worked as a photographer for more than 20 years for magazines, publishers and companies.

Alongside this, I have specialised in post-production and portrait retouching, as well as finishing fine art prints for museums and exhibitions. I also work on my own artistic projects.

Over the years, I’ve taught at institutions including Fatamorgana – The Danish School of Art Photography, and the Photography Programme under KTS/Next.

If you have any questions, you’re welcome to contact me at michael@theilgaardacademy.com or by phone on +45 31 79 94 79.